At the start of the 20th century, two young artists, Henri Matisse and André Derain formed the basis of a group of painters who enjoyed painting pictures with outrageously bold colours. The group were nicknamed 'Les Fauves' which meant 'wild beasts' in French. Their title was coined by the art critic Louis Vauxcelles who was amused by the exaggerated colour in their art. At the Salon d'automne of 1905 he entered a gallery where Les Fauves were exhibiting their paintings. Surprised by the contrast with a typical renaissance sculpture that stood in the centre of this room, he exclaimed with irony, "Donatello au mileau des fauves!" ( Donatello in the middle of the wild beasts! ). The name stuck.
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